Thursday 13 August 2020

Pistis reclaims stories (weekending August 15th 2020)


 istis reclaims stories (weekending August 15th 2020)

‽istis (whose name links to ancient, Greek, mythological stories[i]) as:

·        some people perhaps turn to fiction to escape or cope or entertain

·        other people possibly ‘binge-watch’ those ‘some time’ box sets

·        others maybe write that daydreamed-of novel

·        fiction is perhaps presented as fact

·        comedy, farce and utter tragedy possibly seem to play out personally, socially, nationally, internationally

·        poetry is maybe ‘put on the side table’ in some UK schools[ii] but seems to survive and thrive coolly, nevertheless  

…reclaims ideas about just how many types of stories there might be.

Four, according to some:

·        twisted stories, broken stories, healing stories, whole stories[iii]

·        or others for telling stories in business: connection, influence, clarify, success[iv] and other variations…

  Six, apparently according to Kurt Vonnegut’s rejected 1965 thesis[v] and more recent ‘sentiment analysis’ research:

·        ‘rags to riches’; ‘riches to rags’; ‘Icarus’; ‘Oedipus’; Cinderella; ‘person in a hole’…

·        or: ‘rise, rise’; ‘fall, fall’; ‘rise, fall’; ‘fall, rise, fall’; ‘rise, fall, rise’ and ‘fall, rise’…

  Seven, according to others:

·        ‘overcoming the monster’; ‘rags to riches’; ‘the quest’; ‘voyage and return’; ‘comedy’; ‘tragedy’; ‘re-birth’…  drawn from plotline analysis[vi] and assisting an ‘investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology’  - and then applied, for example, to ‘corporate and personal storytelling’[vii] by others

·        or, pursuing a marketing theme, another seven (reified by capitals?): The Values Story; The Why Story; The Origin Story; A Vision Story; A Teaching Story; An Impact Story; An Objections Story[viii].

  And what about examples, to be found online, of multiple ‘types of types’: short stories, anecdotes, literary, memoir, speculative fiction, folktales…

So ‽stis wonders whether the story in all of this is perhaps an apparent need to ‘type’ (in the several meanings of that word including organising into typologies), to categorize, to make sense?

Yet ‽stis is still not sure whether, in our story-making, we are possibly ‘slicing and dicing’ an empirically accessible objective world or are maybe (re-/co-)creating it as we look and imagine and narrate…?

So ‽stis this week is on the look-, listen- and ‘Tweet’-out for voices and versions (for surely there are many ways to tell those 4, 6, 7 or more types of stories?) and will ponder further the idea that just perhaps, possibly, maybe the pandemic has not only given us many stories but, also, a new story…

© Pistis   

NB: further reflections linked to this week’s theme and past blog
entries to be found on Twitter: replies, retweets (which don’t necessarily indicate approval, sometimes the very opposite!) and ‘likes’: 
@Pistis_wonders 

 



[ii] Thank you Kadish Morris: https://www.theguardian.com/education/2020/aug/09/poetry-saved-me-dont-deny-it-to-next-generation-pleads-award-winner

[vi] https://www.bloomsbury.com/uk/the-seven-basic-plots-9780826480378/ Thank you Christopher Booker (nominative determinism at work?)                                                                                                          

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